Sony Hall

Louie Vega & The Elements Of Life

  • Saturday Jun 7DOORS 6:00 PM | SHOW 8:00 PM
    Blue Note Jazz Festival Presents

    Louie Vega & The Elements Of Life

    w/ special guest Lisa Fischer • Birthday Celebration Live on Broadway

Louie Vega & The Elements Of Life

Show Details

General Admission Floor Seating
Guaranteed Seating on Floor Behind SRO • First Come, First Serve
$75 Advance • $85 Day of Show 

Standing Room Only
$45 Advance • $55 Day of Show

Full Menu + Prix Fixe Menu Available
$20 Minimum Per Person at Tables
All Ages for Entry
Visit Our Upstairs Bar & Restaurant Pre or Post Show
Groups of 10+ Contact olivia@sonyhall.com
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  • Louie Vega

    A leader in global dance music, Louie Vega has painted an award-winning career from a palette mixed with everything from house, salsa and afro-beat, to jazz, hip hop, gospel and soul. What distinguishes the Grammy winner and 7-time nominee as one of the best living house music deejays is his ability to evolve alongside the times, distill the current musical landscape through his unique taste and put his own timeless spin on all the music he creates. “Little” Louie Vega, as he is sometimes affectionately known, was born in the Bronx into a musically gifted family (his father is a jazz saxophonist and his uncle, Salsa King Héctor Lavoe). The “Little” moniker is ironic, given the fact that by the 80s he was deejaying at clubs he wasn’t even old enough to attend, holding residencies at Studio 54, Devil’s Nest, Heartthrob, and playing at the Palladium, Area, 1018 and other seminal New York City Clubs.

    Soon Vega was producing his own remixes and productions, which included Information Society’s “Running”, “What’s On Your Mind”, Noel’s “Silent Morning” & “Like A Child”, Cover Girl’s “Because Of You” & “Show Me (Hearthrob Dub)”, Nocera’s “Let’s Go”, India’s “Dancing On The Fire” and Debbie Gibson’s “Only in my Dreams” & “Out Of The Blue”. Then in 1991 he joined Atlantic Records and recorded an album - hitting the mainstream.                                                                                                                

    One of the keys to Vega’s success is his refusal to be boxed into any one category, marked by the various styles his songs play with and by his fruitful collaboration with other artists. More success came in 1991 from the production team he created with Brooklyn- based deejay Kenny “Dope” Gonzalez. Masters at Work, as they were called, were responsible for the critically acclaimed albums “Nuyorican Soul” and “Masters At Work - Our Time is Coming. ” Not to mention the duo found the time to remix and/ or produce for Michael Jackson, Luther Vandross, Madonna, Jamiroquai, Tito Puente, India, Janet Jackson, Tania Maria, George Benson, Black Eyed Peas, Femi Kuti, Jocelyn Brown, Los Amigos Invisibles, Bebe Winans and Earth Wind & Fire. Louie Vega Bio 2023 (PDF).pdf Vega, always hungry for a challenge, expanded into a new role of record label owner. Featuring a roster that included Anané Vega, Luisito Quintero, Elements Of  Life & E.O.L. Soulfrito (his live bands), Mr. V, Boddhi Satva, Hugh Masekela, Roberto Roena, Lisa Fischer, Sara Divine, and Cindy Mizelle, Vega Records has released over 180 singles and 11 Full Length CD / Albums. In addition, Louie Vega has released over 30 compilations (with over 2 million cds sold) on the industry’s most revered imprints, including Ministry of Sound Recordings, Defected Records, King Street, Azuli, Division (Italy), BBE, Concept, R2, and Strictly Rhythm records.

  • Lisa Fischer

    After four decades of featured background singing with icons like Luther Vandross, The Rolling Stones, Chaka Khan, Tina Turner, and Nine Inch Nails, Ms. Lisa Fischer set out to take center stage with her own humble, heartfelt song. The 2013 Best Documentary Oscar winning film “Twenty Feet from Stardom” altered the course of Lisa’s musical journey, telling her story, with clips of her legendary duets with Sting or with Mick Jagger on “Gimme Shelter”, left audiences eager to see and hear more, so Lisa took the chance to set out on her own reinventing classic songs with her co-conspirators JC Maillard and Grand Baton. Their organic fusion of Caribbean psychedelic soul and jazzy progressive rock ignited Lisa’s flexibility and freedom of expression, awakening her lifelong desire to make music that heals but still rocks the house.

    While Lisa’s range is legendary, her greatest gift is the ability to connect, to reach the hearts of her listeners. Raised in the Fort Greene neighborhood of Brooklyn, she emerged from New York’s fervent studio scene in the early 1980s, sang for two decades with legendary vocalist Luther Vandross, and released “So Intense”, earning her first Best R&B Performance Grammy with “How Can I Ease The Pain”. She joined the Rolling Stones for their 1989 Steel Wheels tour, and continued to grace their stage for the next 26 years. Lisa’s passion for constant growth and experimentation with different styles invited recent collaborations with jazz pianist Taylor Eigsti, Sting, Bruce Springsteen, Michael McDonald, Eric Krasno, Talib Kweli, Billy Childs and YoYo Ma, the BBC Proms / Jules Buckley and the Metropole Orkest, Alonzo King LINES Ballet, Anna Deavere Smith’s “Notes from the Field” for HBO, and especially her full evening program The Classic Lisa Fischer with Grand Baton and Seattle Symphony, Cincinnati Symphony and the National Philharmonic. With spiritual truth-telling as her compass and loving kindness as her guide, MS. LISA FISCHER continues her creative journey; destination unknown.

    “Lisa Fischer in concert is addictive. Every performance is so enriching, so exciting, so transcendent that you want more. With remarkable vocal range and vocabulary, Fischer can sing soul, jazz, rock, gospel, pop, folk and classical with equal facility and authority. She often mixes styles in the same song, sometimes in the same vocal line. Her approach tends to be intimate, artful and almost meditative, accompanied by her interpretive dancing, but she also can cut loose and funk with fierceness and rock with abandon.” (Minneapolis Star Tribune)

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