The Dizzy Gillespie Big Band


History has produced its share of great artists and great people – John Birks “Dizzy” Gillespie was both. As a performer, he left behind an incredible record of innovation and inspiration; as a composer, a broad repository of musical masterpieces, and as a man, a legion of friends, colleagues and compatriots who remember him with the same degree of love and esteem they reserve for his work. For Dizzy Gillespie, playing in a small combo was never enough. His artistry compelled him to seek and to create larger ensembles because as a composer and arranger, a big band was the ultimate vehicle for self-expression. Given that the majority of his career took place after 1950 when the big band era was over, it’s especially notable that Dizzy Gillespie continued to create brilliant music using the grand-scale formats of jazz big band and orchestra right up to the end of his life in 1993.

The Dizzy Gillespie Big Band is a direct descendant of those ventures and happily, the tradition lives on. The band is nurtured by Gillespie alumnus, executive director and producer, and bassist John Lee; together they continue to delight audiences around the world with the enduring power and freshness of Dizzy Gillespie’s music. This is the legacy the master would have wanted—and a living tribute from the many extraordinary musicians in this group who exemplify his style, range, passion, and commitment. The Dizzy Gillespie Big Band (also known as the Dizzy Gillespie All-Star Big Band) debuted in 1997. Over the years the band featured some of Dizzy’s close compatriots: senior statesmen and NEA Jazz Masters Jimmy Heath, James Moody, Frank Wess, and Slide Hampton, as well as veteran Gillespie alumni Randy Brecker, Tommy Campbell, Cyrus Chestnut, Jon Faddis, Roy Hargrove, Lewis Nash, Claudio Roditi, and Douglas Purviance.

The band now features some of the fastest-rising next-generation talents in jazz today, including vocalist Roberta Gambarini; saxophonists Sharel Cassity, Mark Gross, Bobby Lavell, and Gary Smulyan; trombonists Steve Davis, Jason Jackson, and Ron Wilkins; trumpeters Freddie Hendrix, Bruce Harris, Terell Stafford, Greg Gisbert, Frank Greene, and Diego Urcola; and drummer Evan Sherman. All of them are band leaders and recording artists in their own right. Executive director John Lee had a close association with Dizzy, serving as his bassist for the last decade of Dizzy’s life, in his small groups as well as his Grammy Award-winning United Nation Orchestra and Dizzy’s classic Big Band. The Dizzy Gillespie Big Band has recorded three critically acclaimed CDs: “Things to Come” (MCG Jazz), “Dizzy’s Business” (MCG Jazz), and “I’m Beboppin Too” (Halfnote).

The Dizzy Gillespie Big Band has performed at major concert halls and music festivals in North America including: Boston Symphony Hall, Massachusetts’ Tanglewood Music Center, the Hollywood Bowl in Los Angeles, Chicago’s Ravinia, Washington, DC’s John F. Kennedy Center for the Performing Arts, New York State’s Saratoga Springs, Philadelphia’s Kimmel Center, the Walt Disney Concert Hall in Los Angeles, CA, the Orange County Performing Arts Center in Costa Mesa, CA, Detroit’s Symphony Hall, Denver’s Newman Center and Boettcher Concert Hall, Vancouver’s Chan Center, Cleveland Symphony Hall, New York ’s Lincoln Center, and the Manchester Craftsmen’s Guild in Pittsburgh, PA. The have also performed at major concert halls and jazz festivals in Australia, Austria, Aruba, Belgium, Bulgaria, Canada, Croatia, Curacao, England, Finland, France, Germany, Holland, Italy, Japan, Korea, Latvia, Lebanon, Luxembourg, Monaco, Morocco, Norway, Portugal, Russia, Scotland, Serbia, Singapore, Slovenia, Spain, Sweden, Switzerland, Taiwan, Thailand, Turkey, Uruguay, and Wales. The Dizzy Gillespie Big Band’s musical home would have to be New York’s famed Blue Note Jazz Club, which was for many years Dizzy’s favorite jazz club not only in New York City but in the world. The Big Band performs there for a week every summer.


Per New York City’s guidance, Sony Hall is requiring all guests, staff & musicians ages 12+ to be fully vaccinated against Covid-19 to enter. Children ages 5 to 11 must have received at least one dose.

Proof of vaccination may include your physical CDC card, photo of your CDC card, NYC Covid Safe App, or the NYS Excelsior Pass.

In addition to the vaccination policy, New York City continues to encourage masks for all indoor gatherings, except while you are actively eating and drinking.