“When everything was stripped away, all we had left was the music,” says singer Thomas Gatling. “Difficult as it was, we realized that God was opening a door, and it was up to us to walk on through to the other side.”
It’s on the other side that we meet a transformed Harlem Gospel Travelers, complete with a new album, a new lineup, and a new lease on life. Produced by Eli “Paperboy” Reed, Look Up! marks the group’s first full-length release as a trio, as well as their first collection of totally original material, and it couldn’t have come at a more vital moment. The music still draws deeply on the gospel quartet tradition of the ’50s and ’60s, of course, but there’s a distinctly modern edge to the record, an unmistakable reflection of the tumultuous past few years of pandemic anxiety, political chaos, and social unrest. The songs here are bold and resilient, facing down doubt and despair with faith and perseverance, and the performances are explosive and ecstatic, fueled by dazzling vocal arrangements punctuated with gritty bursts of guitar and crunchy rhythm breaks. It’d be easy to classify the album as “retro” or “vintage,” but the truth is that the young men of The Harlem Gospel Travelers aren’t just reviving sounds from the past, they’re revitalizing them for the present and reminding us just how relevant this music is (and always has been) in times of hardship and uncertainty.
“Gospel’s at the root of everything,” says Gatling. “Country, folk, rock, soul, blues; we love it all, and it’s all in there.”
