Blue Note Presents

GZA feat. Roy Ayers & Big Daddy Kane

Thursday, April 13, 2023
Doors: 7:00pm / Show: 9:00pm

GZA, aka the Genius, was the most cerebral MC in the Wu-Tang Clan , as well as perhaps the most acclaimed. His cool, precise flow and intricate, literate rhymes weren’t as theatrical as Method Man or Ol’ Dirty Bastard , the two biggest commercial stars to spring from the collective. But among hip-hop aficionados, GZA was revered for his flawless technique and lyrical dexterity, and was considered by many to be the best pure rapper in the entire Clan.

GZA was born Gary Grice on August 22, 1966, on Staten Island, New York, and shuttled between several other New York boroughs with various relatives during his childhood. He started learning rhymes by the earliest hip-hop MCs while spending time in the Bronx, and returned to Staten Island to share them with his cousins, who later became known as Ol’ Dirty Bastard and the RZA . In fact, the three of them first teamed up in the early ’80s as part of an obscure group called All in Together Now.

Time passed, and GZA landed a recording contract with Cold Chillin’ which unfortunately, was nearing the end of its brilliant run. In 1991, he became the only future Wu-Tang member to release a solo album prior to the Clan ‘s formation, with Words from the Genius. Produced mostly by Easy Mo Bee , the album flopped badly and, creatively, did little to hint at GZA’s future standing. Conflicts with the label sent him packing, and he reteamed with a similarly disenchanted RZA (fresh off a failed stint with Tommy Boy ) and Ol’ Dirty Bastard to co-found the Wu-Tang Clan . Adding six other friends and associates, the group became an underground sensation and took the rap world by storm with its 1993 debut, Enter the Wu Tang (36 Chambers). Wu Tang’s innovative contract allowed each member to sign a solo deal with whatever label they chose, and GZA wound up on Geffen.

In 1994, his first post- Wu solo track, “I Gotcha Back,” appeared on the soundtrack of the film Fresh. His second solo album, Liquid Swords, followed in 1995 and was hailed as a hip-hop classic thanks to its coolly understated menace. While it didn’t make him a star on the level of Method Man , the album did sell well, reaching the Top Ten of the Billboard 200 and falling one spot short of the top of the R&B/Hip-Hop chart. There were no big mainstream hits, but the title cut, “Cold World,” and “Shadowboxin’” all did well on the rap chart. Following the Clan ‘s 1997 sophomore set, Wu-Tang Forever, GZA returned to the solo arena with 1999’s Beneath the Surface. While critics didn’t praise it quite as lavishly as Liquid Swords, it was another well-received effort (especially compared to some of the lackluster follow-ups elsewhere in the Wu-Tang camp), and it topped the Hip-Hop/R&B album chart. After reconvening with the Wu for 2000’s The W and 2001’s Iron Flag, GZA dropped his fourth solo effort, Legend of the Liquid Sword, in late 2002, consolidating his reputation as one of the most skillful rappers around. Grandmasters, a collaborative project between himself and Cypress Hill DJ Muggs , was released in 2005, followed the next year by an instrumental version and then a remix version in 2007. A year later GZA released the solo album Pro Tools on the indie label Babygrande . It featured guest shots from Wu affiliates RZA , Masta Killa , and producer Mathematics. GZA lectured at several universities, including Harvard and Oxford, and applied his academic connections and deep interest in science to develop a science-meets-hip-hop program dedicated to engaging New York City high school students. Additionally, he worked toward another solo album, Dark Matter, with electronic music pioneer Vangelis among his collaborators.

 

Big Daddy Kane is a Brooklyn, New York M.C. who undisputedly defined the term “lyricist” in the world of hip-hop. Along with the lyrical ingenuity he brought to the genre, he also introduced innovative live performances as well. Kane was the first rapper to ever hold not one but two sold out shows at the world famous Apollo Theater for women only. These lives performances, which consisted of theatrics, choreography and tailored costumes proved that Big Daddy Kane was not only an M.C., he was a full entertainer. Kane revolutionized hip-hop fashion and the way hip-hop shows were performed.

Kane has endured a substantive music career. He has several gold albums, endless music accolades including a Grammy award. He also received a VH1 Hip Hop Honor in 2005. His catalogue of music consists of the LP “Long Live The Kane” that features the hit songs “Ain’t No Half Steppin’” and “Raw.” The LP “It’s A Big Daddy Thing” featured “Smooth Operator” “Warm It Up” and the Teddy Riley produced hit “I Bought the ” The LP “Taste Of Chocolate” features “Hard Being The Kane” and “All Of Me” as well as a duet with the legendary Barry White.

Additional albums were “Prince Of Darkness,” “Looks Like A Job For…” and “Daddy’s Home.” Kane has also recorded on movie soundtracks with “Lean On Me (Rap Summary)” from the film “Lean On Me.” “Nuff Respect” from the film “Juice,” The Jimmy Jam & Terry Lewis produced “A Job Ain’t Nothin’ But Work” from “Mo’ Money” and of course “Raw” from the film “Colors.”
As a powerful figure in the rap game, Kane has collaborated with many artists such as Kool G Rap, Masta Ace and Craig G on the Marley Marl produced “Symphany.” He has worked with Public Enemy and Ice Cube on the single “Burn, Hollywood Burn” with Heavy D on the single “Don’t Curse” with Patti LaBelle on the certified gold single “Feels Like Another One” and the Quincy Jones multi-platinum masterpiece “Tribute To Birdland” as well as the title cut “Back On The Block” from the album of proving that he is a full entertainer and that he is a man of many talents, Kane has also made a few appearances on the big screen in the movies “Posse”, “Meteor Man”, “Dead Heist”, “Brown Sugar”, and “Gunmen.”

APPEARING TONIGHT

Friday, June 02, 2023
Blue Note Jazz Festival Presents
Doors: 6:00pm / Show: 8:00pm

APPEARING NEXT

Saturday, June 03, 2023
Blue Note Jazz Festival Presents
Doors: 6:00pm / Show: 8:00pm

PRIVATE EVENTS

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Per New York City’s guidance, Sony Hall is requiring all guests, staff & musicians ages 12+ to be fully vaccinated against Covid-19 to enter. Children ages 5 to 11 must have received at least one dose.

Proof of vaccination may include your physical CDC card, photo of your CDC card, NYC Covid Safe App, or the NYS Excelsior Pass.

In addition to the vaccination policy, New York City continues to encourage masks for all indoor gatherings, except while you are actively eating and drinking.