Blue Note Presents

David Sanborn Tribute Concert and Fundraiser

SHARE EVENT:
Monday, November 25, 2024
Doors: 6:00pm / Show: 8:00pm

Thank you for your generous donation and loving thoughts to St. Jude children and their families. Your gift to St. Jude honors the legacy of David Sanborn – husband, father, friend and world-famous saxophonist.

When David Sanborn was young, he contracted polio and was left so weak, he turned to the saxophone to help strengthen his lungs. It proved a fortuitous means of recovery. He studied music at Northwestern University and the University of Iowa, then began to make professional strides in the 1960s, when he played with The Paul Butterfield Blues Band. He even played the famed Woodstock music festival with the group. 

After joining the Paul Butterfield Blues Band in the 1960s Sanborn began a long, fruitful partnership with Miles Davis’ arranger Gil Evans. Then in 1975, the release of “Taking Off” marked the beginning of Sanborn’s solo career.

His 1980 LP “Hideaway” was steeped in funk and raw production (the track “The Seduction” was a theme for the film “American Gigolo”) and kicked off a decade-long bestseller streak that included 1981’s “Voyeur” and “As We Speak,” 1983’s “Backstreet,” 1984’s live LP “Straight to the Heart” and 1988’s “Close Up,” which incorporated electronics.

In 1991, Sanborn released “Another Hand,” perhaps his most beloved album among core jazz traditionalists. Later in his career, Sanborn returned to his genre-expansive roots on albums like 2015’s “Time and the River,” an acclaimed LP that spanned Latin, African and soul rhythms, and was his most recent studio recording of new material.

Beyond music, Sanborn pursued a variety of TV and film opportunities. From 1988 to 1990, he and pianist Jools Holland co-hosted the late-night TV series “Night Music” (also known as “Sunday Night Live”), which platformed musicians including Sonny Rollins, Sun Ra and Sonic Youth. 

He regularly hosted the “After New Year’s Eve” TV special on ABC and fronted his own syndicated jazz program. The saxophonist wrote scores for the “Lethal Weapon” film franchise and frequently joined David Letterman’s live band. Most recently he hosted the podcast “As We Speak” from WBGO Studios.

Over the course of his career, Sanborn earned 16 Grammy Award nominations and six wins, including honors for his albums “Straight to the Heart” and “Double Vision,” a collaboration with keyboardist Bob James. Sanborn released 25 albums, including eight that went gold and one that achieved platinum status.

Sanborn is survived by his wife, Alice Soyer Sanborn, his son, Jonathan Sanborn, daughter-in-law, Rosie Sanborn. Survivors also include two granddaughters, his sisters Sallie Sanborn and Barb Sanborn, brother-in-law Steve Friedman and nephew Noah Friedman. 

St. Jude is leading the way the world understands, treats and defeats childhood cancer and other life-threatening diseases. Thank you for supporting their lifesaving efforts and keeping David’s memory alive through this special fund

The career of Bob James is long, varied and continues to evolve at every turn. From his first days in Marshall, Missouri, the music of Bob James has captivated audiences throughout the world.

Discovered by Quincy Jones at the Notre Dame Jazz Festival in 1963, James recorded his first solo album, Bold Conceptions, that year for Mercury Records. 58 albums and innumerable awards would follow through five decades. He honed his skills working with Creed Taylor, working on albums for artists like Hank Crawford, Grover Washington, Jr, among others.  While with CTI, James found great popular success overseeing significant hits for Paul Simon, Neil Diamond, Maynard Ferguson, and Kenny Loggins.

While James is recognized as one of the progenitors of smooth jazz, his music has also had a profound effect on the history of hip hop, having been sampled often. Two of James’ songs – “Nautilus” from 1974’s One and “Take Me to the Mardi Gras” from 1975’s Two – are among the most sampled in hip hop history. According to whosampled.com, “Nautilus” and “Take Me to Mardi Gras” have been sampled in thirty-two and forty-three hip-hop recordings, respectively.  The title track from his 1981 album Sign of the Times was sampled in De La Soul‘s “Keepin’ the Faith”, and Warren G‘s “Regulate”.  His “Angela” was sampled in the track “Cab Fare” by Souls of Mischief.  The track “El Verano” from the 1977 album “BJ4” is used as a sample in the song “Blown Away” by the Cocoa Brovaz and also in the Masta Ace Track “NY Confidential”.  N.W.A‘s “Alwayz into Somethin’” uses a sample of “Storm King” from the album Three.  “Can’t Wait” by Redman features a sample of “Caribbean Nights” from the album Touchdown.  English Drum & Bass pioneer Adam F extensively sampled “Westchester Lady” on his 1995 breakthrough release Circles.  Röyksopp sampled his version of “You’re as Right as Rain” for their instrumental track “Eple.” In addition, James is mentioned in a verse by André 3000 on “Black Ice” from Goodie Mob’s second album Still Standing.